Thursday, February 15, 2018

Making Plates

It's been a plate kind of month! I had a lovely order for a dinnerware set, a workshop involving place settings coming up, and needed bisque plates to have on hand for stock, so my plate making systems got a bit of a workout during January and the beginning of February.

Plates are paradoxically both easy and difficult. It's easy to make one plate. It's even easy to make eight plates, all more or less the same size. What is extremely difficult is to make a set of plates, all of which will stack neatly. Most customers want plates that will look good both while set out on the table and while stacked in the cupboard, and who can blame them.

Early on in my pottery journey, I decided that trying to throw plates to satisfy this double requirement was just not feasible. I'd have to charge so much per plate I'd never sell one. So I looked around for other ways of making plates. I was delighted to find an ad in a pottery publication for a Jigger/jolley machine for sale. I called and arranged to come down and see it and said I'd probably buy it. Luckily,  I had a new truck at the time, and the long trip down to Kincardine didn't alarm me. My husband and I had a fine time driving down, staying in several B & B's along the way, and duly arrived at the potter's home.

He showed me how to use the machine. It looked wonderfully like the solution I was looking for. I got excited. A price was agreed upon. He also wanted to sell an old old slab roller and all the molds to go with the Jigger. I got even more excited. A further, enhanced, price was agreed upon.

The men were sure the machines and molds would fit in the back of my pickup. We didn't discuss the weight! The Jigger, as I found out later, weighs about 500 lbs, and the slab roller not much less. Each mold, and there were over 80 of them, weighed at least 2 lbs. So you can imagine how I felt when the potter, who was well over 70, and my husband, a totally non-athletic absent-minded professor type, lifted first the Jigger and then the slab roller, into the truck. They said they used Zen!

We drove home slo-o-wly. The truck wasn't rated for that much weight but with care we got home. It took two hired movers men to get the gear off the truck, which, when you think about it, was downhill. Robert and the potter moved them uphill!
Here's the Jigger, nicely covered with slip to show it really is a working machine:

Basically, you place the mold of your choice in the 'cup' - which you can see to the right inside the grey rubber splash pan. Then you place a clay slab on it, bring down the arm, and 'cut' the plate.

I don't know the brand, or the age. I suspect Ratcliffe, and old. There is no info plate anywhere on it, and the innards are most mysterious. I just know to oil it certain places, and keep my fingers crossed.

Here's the sequence:

Of course, I do have other plate making tricks in the bag. There's a company called Pure & Simple that makes a system where a base fits onto a regular wheel on the batt pins, and then you makes plaster molds in the shape they supply that fits onto that base. Then you poeceed more or less as above. Here is mine in action:
Plates made like that do warp a bit. It's best for 'wonky' plates, which can be quite nice! Also, you can vary the foot rings, even make quite large ones to make plates or platters with pedestal bases.

Of course, you can make your own molds, and just sit them on a wheel. Here's a big one I made when I was trying to make round platters with foot rings:

The plaster mold is just sitting on top of the wheelhead. It works pretty well, but again, the platters do tend to warp a bit.

And the plates? Well, here are some:

My truck was OK, by the way. It went on to ferry myself and many plates for another 14 years.

Saturday, January 6, 2018

A Whole New Year!

With no mistakes in it yet! *

One of things I love doing in January is planning my pottery year: what workshops to offer, if any, what shows to do, sales... workshops to take, projects, challenges to take on... ah, dreamtime.

One workshop I definitely will do again this year is the one I called  'Making Marks on Pottery'. We did it last year and it was a great success. The creativity shown by the people who came was awesome. On the first day we decorated (made marks) on pottery place settings. I provided the bisque ware pieces (three plates, a cereal bowl and a mug in most cases) and demonstrated some ways of decorating pottery, then the students went ahead and blew right past anything I'd ever have thought of in their wonderful original designs. Later I dipped everyone's pieces in a clear glaze and fired them. A few weeks after that we had a pot-luck lunch which we ate from our new dishes. I called that 'The Artful Meal'. Seeing all the place settings on the table was totally exciting!

So I'm offering 'The Artful Meal' again this year. On Feb. 17 you'll choose your place setting, learn about some pottery decorating materials and techniques, and then decorate your pieces. Mostly we'll be painting on the bisque ware so it would help to have some basic painting skills. It'll be a full day, starting at 10am, breaking for a soup & a bun lunch, and continuing until about 4pm. We'll decide on a date for our meal before everyone goes home. Including lunch, your place setting and all materials, there will be a cost of $50 per person. Since my studio isn't very large and I want to be able to give everyone enough attention, this workshop will be limited to 8 people.

Another definite on the agenda is Clay Days. This is for total beginners, or people who haven't done  pottery for a while. The first day of the workshop, March 10,  will be devoted to learning a bit about clay and the pottery process, and making some pieces such as small bowls, pendants, tiles or other such projects. I'll be concentrating on hand-building techniques, but if someone is keen to try the wheel we can probably manage that as well. Someone with some prior experience would be free to go ahead with their own projects. Then the pieces have to dry and be fired, so the second day, when we will decorate our work, will be the Saturday after. The cost per person will be $25 (2 days of playing with clay, lunch both days, and all materials included) and the class will be limited to 8 people.

If you are interested in signing up for one of these workshops, just hit the 'contact me' button.

March will be a busy month as I'll be at the Carp Farmers' Market Easter Market on March 31. The fun part is deciding what to have for sale that day, let's see, bunnies, bunnies... bunnies... ok, I'm sure I'll think of something more than bunnies well before then!

Right after the Easter Market will be the Maple Run Studio Tour. Have to have stuff with Maple leaves on it for sure, and maybe some bunnies... the Tour is April 7 and 8 this year. I don't know which stop I'll be at yet, but I'll post the info in the side bar once I know. This tour has some very fine craftspeople and artists on it and I feel honoured to be on it. It's a lovely area, too, and Fulton's Pancake House always has lots going on at the same time.

After that it will soon be Market opening and the busy summer will have begun. Until then:

* With a grateful nod to Anne of Green Gables'  whose lovely line, 'Just think, a whole day with no mistakes in it yet' expresses exactly how I feel about 2018!