Some days are just not meant to be good for your self-esteem.
The phone rang early this morning. A small shop in a neighbouring village. Back in about August, she had asked me to show her some pots to possibly display in her store. I brought a selection and put them out for her to look at but she was in a big rush. The Red Fox pattern she dismissed immediately, 'nobody likes brown'. The Wild Garden designs she ignored. She liked the blue-and-white spongeware. We agreed I would fill up a maple hutch with b&w stuff.
I did.
Now she tells me she hasn't sold anything, nobody likes spongeware, too 'country', they want something more 'upscale' and 'with it'. She wants Red Fox.
Ok. Rewind.
Then a sweet young mom with two impossibly cute little girls came to pick up her Bird design hors d'oevres platter. 'Oh', she says, 'it was supposed to be fish-shaped.' Rapid memory scan. Nope. She never mentioned that. I sent her a picture of the finished platter, she did not email back that it was supposed to be a fish..... She had asked about my fish platters (saw them on my website) but I never connected the two. Luckily, she said she'd be back in February so I can still do it. A fish-shaped platter with black birds on it. Could be fun!
It's only 7 pm. What else is going to whap me upside the head today?
An occasional blog about pottery, making pots, and living the life of a potter.
Monday, November 14, 2011
Friday, November 11, 2011
Urban Craft
It's an unfortunate truism that when you aren't busy, there is nothing to write about, and when you are, you don't have time to write.
The last two months have been a bit hectic. I won't bore you with the details but here's a summary: sales at my regular booth at the Farmers' Market were dismal. I had to make and sell a lot of $5 and $10 items. People just aren't spending this year. My local art show, Expressions of Art went very well but my sales were disappointing. I had made platters and shallow bowls with designs of Ravens on them, and they didn't sell. After the Show, I got two calls from people ordering Raven bowls and I found out that they didn't like the ones at the Show because they didn't like the orange leaves! I had done what I hoped were swirly autumn leaves, and was so pleased to be able to use a new food-safe orange stain. Sigh. Then early this month I did a new little craft sale called Handmade Harvest and did very well. I made only Bird stuff and Sheep stuff.... all small items, nothing over $25. This one is interesting - it's a new thing called Urban Craft. Hard to describe, but it's somewhat the twitter approach to crafts. One of the potters on Clayart has this to say about Urban Craft:
"My students ... think it's cool....Personal, handmade objects made with creativity and a sense of fun. The handmade aspect isn't so important to a lot of Urban Craft fans, I think, as the idea that it's not made by some sweatshop worker in the third world, or sold by some faceless marketing conglomerate, or mass-produced in lots of zillions. They like to feel they're making a statement by making or even buying this stuff. Things made from recycled or eco-friendly materials are a big hit, too. ... I don't think that more traditional art and craft fairs even hit their radar very much.
"From their perspective, a lot of traditional(ish) craft has gotten either stuffy and highfalutin', or else holds true to hippie roots that seem irrelevant to most younger folks.... This new stuff isn't necessarily all good or well-made, but it connects with a lot of cultural currents that traditional craft either ignores or disses. It ain't your granny's knitting...."
I think that says it very well. Thank you, Snail!
I'm not sure Urban Craft will displace traditional Craft, but I must say doing this Show was a breath of fresh air. I loved the creativity shown by the various vendors, and even though some things weren't really practical, I found them very appealing. OK, baby bibs made out of felt aren't going to work, and neither are necklaces made out of (mostly) wool roving.... but the designs were so much fun! And imagine this: this craft sale did not have 6 pages of rules for vendors. I felt so free!
Now the Studio is full of pots for the upcoming Christmas Market. After that I'm having my annual half-price sale (with two guests, both painters) so it's busy, busy, busy.
And it's going to snow tonight.
The last two months have been a bit hectic. I won't bore you with the details but here's a summary: sales at my regular booth at the Farmers' Market were dismal. I had to make and sell a lot of $5 and $10 items. People just aren't spending this year. My local art show, Expressions of Art went very well but my sales were disappointing. I had made platters and shallow bowls with designs of Ravens on them, and they didn't sell. After the Show, I got two calls from people ordering Raven bowls and I found out that they didn't like the ones at the Show because they didn't like the orange leaves! I had done what I hoped were swirly autumn leaves, and was so pleased to be able to use a new food-safe orange stain. Sigh. Then early this month I did a new little craft sale called Handmade Harvest and did very well. I made only Bird stuff and Sheep stuff.... all small items, nothing over $25. This one is interesting - it's a new thing called Urban Craft. Hard to describe, but it's somewhat the twitter approach to crafts. One of the potters on Clayart has this to say about Urban Craft:
"My students ... think it's cool....Personal, handmade objects made with creativity and a sense of fun. The handmade aspect isn't so important to a lot of Urban Craft fans, I think, as the idea that it's not made by some sweatshop worker in the third world, or sold by some faceless marketing conglomerate, or mass-produced in lots of zillions. They like to feel they're making a statement by making or even buying this stuff. Things made from recycled or eco-friendly materials are a big hit, too. ... I don't think that more traditional art and craft fairs even hit their radar very much.
"From their perspective, a lot of traditional(ish) craft has gotten either stuffy and highfalutin', or else holds true to hippie roots that seem irrelevant to most younger folks.... This new stuff isn't necessarily all good or well-made, but it connects with a lot of cultural currents that traditional craft either ignores or disses. It ain't your granny's knitting...."
I think that says it very well. Thank you, Snail!
I'm not sure Urban Craft will displace traditional Craft, but I must say doing this Show was a breath of fresh air. I loved the creativity shown by the various vendors, and even though some things weren't really practical, I found them very appealing. OK, baby bibs made out of felt aren't going to work, and neither are necklaces made out of (mostly) wool roving.... but the designs were so much fun! And imagine this: this craft sale did not have 6 pages of rules for vendors. I felt so free!
Now the Studio is full of pots for the upcoming Christmas Market. After that I'm having my annual half-price sale (with two guests, both painters) so it's busy, busy, busy.
And it's going to snow tonight.
Saturday, September 24, 2011
Bowls: Done!!
The bowls are done, the bowls are done! Yay, hurrah, cheer, fist-pump, happy dance!!!!
Yes, I know 200 soup bowls is hardly a career. But for me, a small studio potter, it was a big job. It took over the Studio for several weeks. I enjoyed making them; allowing myself to play with shapes and colours was great fun, but I kept having to push thoughts of the orders I wasn't working on to the background. Never mind, the BOWLS ARE DONE and next week cometh!
Next project: a series of platters and mugs showing Raven in the Autumn..... oy. They have to be done for the West Carleton Arts Society annual Show, Expressions of Art, October 8-9.
Another challenge!
Yes, I know 200 soup bowls is hardly a career. But for me, a small studio potter, it was a big job. It took over the Studio for several weeks. I enjoyed making them; allowing myself to play with shapes and colours was great fun, but I kept having to push thoughts of the orders I wasn't working on to the background. Never mind, the BOWLS ARE DONE and next week cometh!
Another challenge!
Thursday, September 15, 2011
Bowls, Bowls and More Bowls
Well, the bowls are coming along. I need them all finished by next Thursday so I guess they had better! I keep summarizing to myself, like, 'OK, all 200 are thrown.... 175 are trimmed...... 150 are bisqued...... 100 are finished and packed....'. Actually all but the last 25 are ready for the kiln so the end is nigh. Whew.
For anybody who missed the earlier post, these are for a good cause. The Anglican Church Women in Carp are selling them, with soup or chili in them, for $20 each to raise money for the West Carleton Food Bank. They are doing this during the Carp Fair, which is next weekend (not this one, the next one). Check out the Carp Fair website for more on the Fair, but I don't suppose they mention the Empty Bowls. Or my wonderful bowls, either.
It's been a bigger job than I expected, mainly because I left it to the last as usual. I never do anything until a big haulking deadline looms. (I admit that. Why not? I've been like that for 65 years so far, and I really don't expect it to change, so hey.) I did them in groups of 25. Each group was one shape and then I decorated them to suit the shape. If I can, I'll take a picture of the 8 types and post it next week. What was interesting about the project was that I found that certain shapes were distinctly easier for me than others, and I wonder if that is part of how personal style develops. I find curved walls easier than straight walls, every time. Is this because I've done them more, and so am more practiced at them? And do I like curves better because that is 'me', whatever that means, or because I am better at them?
Next time you throwing multiples, muse on that a bit. It's a bit of a chicken-and-egg thing, but does that mean that personal style is random? This is getting deep.... I may have to make a lot more bowls.
For anybody who missed the earlier post, these are for a good cause. The Anglican Church Women in Carp are selling them, with soup or chili in them, for $20 each to raise money for the West Carleton Food Bank. They are doing this during the Carp Fair, which is next weekend (not this one, the next one). Check out the Carp Fair website for more on the Fair, but I don't suppose they mention the Empty Bowls. Or my wonderful bowls, either.
It's been a bigger job than I expected, mainly because I left it to the last as usual. I never do anything until a big haulking deadline looms. (I admit that. Why not? I've been like that for 65 years so far, and I really don't expect it to change, so hey.) I did them in groups of 25. Each group was one shape and then I decorated them to suit the shape. If I can, I'll take a picture of the 8 types and post it next week. What was interesting about the project was that I found that certain shapes were distinctly easier for me than others, and I wonder if that is part of how personal style develops. I find curved walls easier than straight walls, every time. Is this because I've done them more, and so am more practiced at them? And do I like curves better because that is 'me', whatever that means, or because I am better at them?
Next time you throwing multiples, muse on that a bit. It's a bit of a chicken-and-egg thing, but does that mean that personal style is random? This is getting deep.... I may have to make a lot more bowls.
Friday, August 26, 2011
Garlic Fest Update and My Next Crazy Project(s)
Quick Garlic Fest update: the event was a great success. We estimate somewhere around 6000-8000 people came..... three of whom bought Pine Ridge garlic keepers. Not that I mind, though, because I sold plenty of other pots, and the garlic keepers will sell eventually.
Now I'm concentrating on making 200 soup bowls for a local Empty Bowls project. The West Carleton Food Bank, with the help of the local Anglican Church ladies, will sell them at the Carp Fair as a fund raiser. I agreed to make them in a seriously rash moment. Didn't sound like much of a problem 'way back in January, but of course now it's a different story. Ah well, 100 are practically done and there's a whole 3 weeks left.
Somebody asked me to make him an oval pate terrine. I told you about those last post.... Now I have to try to make one. The terrine is easy enough, the lid will be impossible. Actually, I think all lids are impossible, but this will be more impossible. Why do I have so much trouble with lids? I measure so-o-o carefully, and still sometimes they don't fit. I had a friend years ago who was an amazing thrower. She came and threw 60, 10" casseroles for me (she wanted to, it made sense at the time), and when she had them all trimmed and ready to fire I asked her 'What about the lids?'.
'Oops.'
She threw and trimmed 60 lids, and when everything was fired, I think about 3 casseroles had fitting lids.
I need an idea for decorating the Market Hall for the Harvest Festival Thanksgiving weekend. All my subconscious has come up with so far is pumpkins.... boring, boring, boring..... must do better. Pots to make are easy: pie plates, turkey platters, veg dishes. Lots of fun. But how to decorate inside a long skinny building?
And a personal note: my daughter has just had a really bad experience. It started with a pain in her tum, and progressed to several tedious and uncomfortable sessions at the local Emergency department, and ended with major surgery. She's fine but will be on mushy food for a while (wonder if she'll still like mashed potatoes after this?). I'm telling you this as a warning. The cause of the trouble? A bristle from a barbeque-cleaning brush. I would never have thought it was possible to swallow such a thing and not know it, but apparently it is. So please, be careful when you clean that b-b-q!
Now I'm concentrating on making 200 soup bowls for a local Empty Bowls project. The West Carleton Food Bank, with the help of the local Anglican Church ladies, will sell them at the Carp Fair as a fund raiser. I agreed to make them in a seriously rash moment. Didn't sound like much of a problem 'way back in January, but of course now it's a different story. Ah well, 100 are practically done and there's a whole 3 weeks left.
Somebody asked me to make him an oval pate terrine. I told you about those last post.... Now I have to try to make one. The terrine is easy enough, the lid will be impossible. Actually, I think all lids are impossible, but this will be more impossible. Why do I have so much trouble with lids? I measure so-o-o carefully, and still sometimes they don't fit. I had a friend years ago who was an amazing thrower. She came and threw 60, 10" casseroles for me (she wanted to, it made sense at the time), and when she had them all trimmed and ready to fire I asked her 'What about the lids?'.
'Oops.'
She threw and trimmed 60 lids, and when everything was fired, I think about 3 casseroles had fitting lids.
I need an idea for decorating the Market Hall for the Harvest Festival Thanksgiving weekend. All my subconscious has come up with so far is pumpkins.... boring, boring, boring..... must do better. Pots to make are easy: pie plates, turkey platters, veg dishes. Lots of fun. But how to decorate inside a long skinny building?
And a personal note: my daughter has just had a really bad experience. It started with a pain in her tum, and progressed to several tedious and uncomfortable sessions at the local Emergency department, and ended with major surgery. She's fine but will be on mushy food for a while (wonder if she'll still like mashed potatoes after this?). I'm telling you this as a warning. The cause of the trouble? A bristle from a barbeque-cleaning brush. I would never have thought it was possible to swallow such a thing and not know it, but apparently it is. So please, be careful when you clean that b-b-q!
Thursday, August 11, 2011
Garlic Keepers, or, 'Everybody Knows....'
This weekend is Garlic Festival weekend at the Carp Market so I have been busy making things like garlic keepers and garlic bakers.
The garlic keepers reminded me of something I find somewhat frustrating. I try to design each item I make to make it as functional as possible, while still looking good, and allowing me to decorate it in a way that I like. Some items are great, like mugs, because there are so many possible ways to make a mugs, and they all lend themselves to my kind of painted decoration. Others, like garlic keepers, are trickier. They wouldn't be so bad except that 'everybody knows' that garlic keepers have large holes. They would work just the same with smaller holes (and more of them) and then I could wrap sunflowers or pansies or whatever around the pattern of holes, but no, they have to have large holes so I can't do that. I tried them with small holes and never sold one. Customer after customer picked them up and asked if they were garlic keepers.... then when I said 'yes', they asked for 'one just like this only with bigger holes'. Eventually I gave up and now they have big holes and the flower, if any, is only on the lid.
They also often balk at the cost, and I tell them they have to pay extra for the holes. They think I'm kidding! Ha!
Another 'everybody knows' which also irks me is that 'everybody knows' milk bag holders are oval. They work fine round, but no, they have to be oval. I keep trying but so far I haven't managed to make them look very good. And they are always heavy. If I have to squish them oval, I have to trim them fairly soft, and then I can't trim them enough, plus it is hard to attach the large handle.... not to mention that the size has to be super-exact or the milk bag either won't go in or slides out when you tip it. If only I could make that into a sales feature. You know, 'and the milk bag comes out really easily once the milk is half used'. No, I guess not.
Pate terrines, the kind you cook the pate in, are also always oval. Hmmm.
Wonder what other things 'everybody knows'. And I don't.
The garlic keepers reminded me of something I find somewhat frustrating. I try to design each item I make to make it as functional as possible, while still looking good, and allowing me to decorate it in a way that I like. Some items are great, like mugs, because there are so many possible ways to make a mugs, and they all lend themselves to my kind of painted decoration. Others, like garlic keepers, are trickier. They wouldn't be so bad except that 'everybody knows' that garlic keepers have large holes. They would work just the same with smaller holes (and more of them) and then I could wrap sunflowers or pansies or whatever around the pattern of holes, but no, they have to have large holes so I can't do that. I tried them with small holes and never sold one. Customer after customer picked them up and asked if they were garlic keepers.... then when I said 'yes', they asked for 'one just like this only with bigger holes'. Eventually I gave up and now they have big holes and the flower, if any, is only on the lid.
They also often balk at the cost, and I tell them they have to pay extra for the holes. They think I'm kidding! Ha!
Another 'everybody knows' which also irks me is that 'everybody knows' milk bag holders are oval. They work fine round, but no, they have to be oval. I keep trying but so far I haven't managed to make them look very good. And they are always heavy. If I have to squish them oval, I have to trim them fairly soft, and then I can't trim them enough, plus it is hard to attach the large handle.... not to mention that the size has to be super-exact or the milk bag either won't go in or slides out when you tip it. If only I could make that into a sales feature. You know, 'and the milk bag comes out really easily once the milk is half used'. No, I guess not.
Pate terrines, the kind you cook the pate in, are also always oval. Hmmm.
Wonder what other things 'everybody knows'. And I don't.
Wednesday, August 3, 2011
Mutterings
Housework
I always seem to get caught up in one area and fall behind in another. I've been putting in the hours in the Studio, so the house has gotten to be a mess. So I decided I'd do a bit each day this week so it wouldn't be too hard to bring it up to scratch before guests come on Sunday.
Yesterday I vacuumed the carpet and washed the kitchen floor. In other words, I did the bottom three inches.
On Starting a New Business
A potter friend called to tell me about her new kiln. She's itching to leave the desk job and try to make a go of pottery, so she's testing the waters by offering a couple of throwing classes. She happened to mention that her husband isn't totally comfortable with her spending money on equipment and this reminded me of something.
Years ago when I was starting up I took a little one-week course on starting a small business. I think it was put on by one of the levels of government in one of those fits of Encouraging Small Business which happen any time tax revenues fall..... anyway, it was a pretty good course and I learned some stuff and felt confirmed in some other stuff. But what I strongly recall is the different approaches the women had versus the men. The group was about 15, about 10 women and 5 men, give or take a small error of memory. One of the exercises we did was to write down what we'd need for our businesses, and how we were going to get it. All of the women had lists like, 'well, I can borrow a serger from so-and-so, and I won't need an industrial iron until such-and-such, and I can work in the back of the basement for now' followed by, in a gradually failing little voice, 'I can maybe borrow $500 from my mother....'. All the men said 'I'll need a this and a that which will cost about $100,000, a building which should only cost $30,000 a year, and my wife and I have about $200,00 saved up for our retirement, so no problem.'
None of the women, and all of the men, considered that family savings were available for them to use to start their new business.
All of the men assumed they would succeed, and the women knew there was a pretty good chance they would fail.
Speaking of New Kilns
My new ConeArt is working very well, but, at 7.5 cu. ft., it isn't large enough. I'm having to really juggle what to fire when, sometimes even getting up in the night to re-load just to get those extra three or four hours so something will be done by some certain day. It takes a long time to cool, which is a good thing, but it does mean I can only do about three firings a week.
I'm thinking me and my trusty major financial institution may have to make another investment soon.
Photographing Pots
Another thing I'm really thinking about is how to set up some convenient way to take pictures of new pots. Right now it's so much trouble to set up for good pics that I don't bother. Bad. The question is space - where do I have room to set up a background and leave it up.
Musing about this, I realize that neither my house nor my Studio has any wall space left. The house is filled with books which take pretty well all the space not given over to doors, cupboards, shelves, windows and the like, and the Studio walls are covered with posters, pots I want to keep,shelves, counters, windows....
Anybody have any ideas? If you have a creative solution to this problem, I'd love to hear it!
I always seem to get caught up in one area and fall behind in another. I've been putting in the hours in the Studio, so the house has gotten to be a mess. So I decided I'd do a bit each day this week so it wouldn't be too hard to bring it up to scratch before guests come on Sunday.
Yesterday I vacuumed the carpet and washed the kitchen floor. In other words, I did the bottom three inches.
On Starting a New Business
A potter friend called to tell me about her new kiln. She's itching to leave the desk job and try to make a go of pottery, so she's testing the waters by offering a couple of throwing classes. She happened to mention that her husband isn't totally comfortable with her spending money on equipment and this reminded me of something.
Years ago when I was starting up I took a little one-week course on starting a small business. I think it was put on by one of the levels of government in one of those fits of Encouraging Small Business which happen any time tax revenues fall..... anyway, it was a pretty good course and I learned some stuff and felt confirmed in some other stuff. But what I strongly recall is the different approaches the women had versus the men. The group was about 15, about 10 women and 5 men, give or take a small error of memory. One of the exercises we did was to write down what we'd need for our businesses, and how we were going to get it. All of the women had lists like, 'well, I can borrow a serger from so-and-so, and I won't need an industrial iron until such-and-such, and I can work in the back of the basement for now' followed by, in a gradually failing little voice, 'I can maybe borrow $500 from my mother....'. All the men said 'I'll need a this and a that which will cost about $100,000, a building which should only cost $30,000 a year, and my wife and I have about $200,00 saved up for our retirement, so no problem.'
None of the women, and all of the men, considered that family savings were available for them to use to start their new business.
All of the men assumed they would succeed, and the women knew there was a pretty good chance they would fail.
Speaking of New Kilns
My new ConeArt is working very well, but, at 7.5 cu. ft., it isn't large enough. I'm having to really juggle what to fire when, sometimes even getting up in the night to re-load just to get those extra three or four hours so something will be done by some certain day. It takes a long time to cool, which is a good thing, but it does mean I can only do about three firings a week.
I'm thinking me and my trusty major financial institution may have to make another investment soon.
Photographing Pots
Another thing I'm really thinking about is how to set up some convenient way to take pictures of new pots. Right now it's so much trouble to set up for good pics that I don't bother. Bad. The question is space - where do I have room to set up a background and leave it up.
Musing about this, I realize that neither my house nor my Studio has any wall space left. The house is filled with books which take pretty well all the space not given over to doors, cupboards, shelves, windows and the like, and the Studio walls are covered with posters, pots I want to keep,shelves, counters, windows....
Anybody have any ideas? If you have a creative solution to this problem, I'd love to hear it!
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